This gag happens in Episode 1 of the 1988 version of Osomatsu-kun, between Iyami and the Sextuplets. Happens in episode 40 of Ojamajo Doremi, although the chase takes place between two adjacent ruins so no doors are opened.Even Osamu Tezuka himself does it with seashells in his experimental film Mermaid.In between slapstick antics, there are repeated scenes of everyone running between columns, complete with the "multiple versions of one character" joke. Happens in episode 9 of Kirby: Right Back at Ya!, where Fololo and Falala are trying to keep Kirby's two halves away from Dedede, Escargoon and the episode's monster Slice N' Splice.A Mental World version showed up in the fourth episode of Kaiba.Also in episode 112 of Inazuma Eleven.In live theater, certain kinds of screwball comedies are known as "door slammers" for a climactic scene or scenes where the whole cast is chasing one another, in one door and out another, everyone just missing everyone else by an instant notable examples include A Funny Thing Happened on the Way to the Forum and Lend Me a Tenor. Even with animation, it predates its Trope Namer by some thirty years. This trope is Older Than Television, dating to the old days of French Farce. Related to One of These Doors Is Not Like the Other, a trope in video games that often has characters repeating a single screen just like this, and Fighting Across Time and Space, a different sort of teleportation-based chase scene. In animation, allows tremendous savings on budget, since the same cross-frame run-cycle cels can be used over and over and over for the entire sequence. Usually animated, but can be done in live-action by locking off the camera at the end of the hallway to hide edits and allow room switches. Thus, this trope was discredited as soon as it was created, yet still good for a laugh. All the characters in the chase collide into a pile in the centerĪ Running Gag, literally and figuratively, this one is unique for one reason every instance of the trope subverts itself by the time the scene is over.A character will suddenly either use a weapon or be seen riding a bicycle or a unicycle.Another character appears: they will either be questioned and then disappear from the plot for good, have this as their debut scene, or get more involved in the plot if they have appeared before.The characters appear more than once in the same frame.The characters being chased start doing the chasing.There are a few different gags used for the climax: The chaser and one or more groups of chasees enter a door. A static shot down a hallway lined with doors, like a hotel or mansion corridor, comes up in the middle of the chase scene. It does look good with well shot sequences, and nicely constructed montages, however it does feel like the story and the wider concept had so much more to give that this film delivers.A very standardized visual comedy sequence. This does provide some emotional engaging on that level, however it is hard to really feel strongly for it as a film, or for the characters. There is a feeling of it being pretty sanitized as a piece – emotionally at least. In doing this the film produces some nice scenes in terms of them being edited together across different times and places, but generally the level of discussions and struggles are at a fairly romantic and slightly unconvincing level. Instead the film is slightly sentimental as it focuses instead on the woman and her husband, and the woman and her father. The privately funded ne-way trip to Mars is already a real thing (well, the plan is at least), and the focus on this in the title suggests that this may be a bigger part of the film than it really is. There appears to be a lot of interest in this film. She decides to go anyway, putting stress on the relationship in its final days. In the future a crowd sourced mission to Mars (with no hope of return) sees a wife accepted but her husband not.
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